Improvisation has always been present in Casserley's work, from his early student experiments on organ, piano or percussion to his latest work with real time computer processing. Key events along the way are:
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1966 |
Los Inchaukrästis No 1 - Percussion solo, improvised within a defined structural outline. |
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1970 onwards |
Work with the RCM Experimental Music Group |
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1972 |
Dodman Point - Live electronics and light. |
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1972 onwards | |
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Work with sound poets |
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1974 |
Hydrangea - Voices, Instruments and Light |
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1984 |
Tube Sculpture - Giant PanPipes |
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1985 onwards |
Work with Electroacoustic Cabaret |
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1989 onwards |
Collaborative work in Colourscape |
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1994 |
Lip Lap Lop Lup - live processing - 1994 Colourscape Music Festival |
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1995 |
Barry Guy's "Gaia" - LJCO - 1995 Colourscape Music Festival |
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1995 onwards |
Development of Signal Processing Instrument |
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1996 |
Work at STEIM, Amsterdam and BEC, Bonn; Performances with Barry Guy, Alan Tomlinson, Vanessa Mackness, Simon Desorgher and Johannes Bergmark |
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1997 |
Project, 'The Emancipation of the Technology' at STEIM |
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Performances and Recordings with Evan Parker, Barry Guy, Rainer Bürck, Roland Graeter, Richard Durrant, Simon Desorgher, Noel Akchoté, Joel Ryan |
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1998 |
Performances with Evan Parker, John Palmer, Melvyn Poore, Paul Lytton, Electro-Acoustic Ensemble |
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1999 |
Performances with Evan Parker, Melvyn Poore, Paul Lytton, Carol Morgan, Simon Desorgher, Alan Tomlinson, Agusti Fernandez, Joel Ryan, Electro-Acoustic Ensemble |